A color and finishing studio for films, commercials, and documentaries. We grade, cut, and finish work that has to look the part.
We're a post house built around the grade. Short films, commercials, documentaries: we shape the look, cut the story, and finish to spec, so the final picture feels like it means it.
Color is the part of post most people feel but can't name. We treat it as storytelling, not a filter. Every project gets a look designed for it, protected from camera to delivery.
Custom look design, shot matching, and finishing in DaVinci Resolve.
Story-first cutting for narrative, branded, and documentary work.
Comps, paint-outs, screen replacements, and the fixes nobody should notice.
Conform, mastering, and festival-ready DCP and delivery packages.
"I'm your friendly neighborhood colorist. I take the craft seriously and keep the process easy. Tell me about your film and let's make it look the way you imagined it."
Greg Enright — Colorist & Finishing Editor
The same instruments we reach for on paid client work, built for DaVinci Resolve. Professional grade under the hood, simple enough for editors and hobbyists to pick up on day one.
A full photochemical pipeline that develops digital footage the way a darkroom would, from photons to final print. Not a filter, a film lab in a node.
Learn about Photo Chemist →Six-vector hue, saturation, and density control on the color wheel. Precise, musical, and built to feel like part of Resolve, not bolted on.
Learn about Hue Tools →The more we know up front, the faster we can talk look, schedule, and budget. Fill this out and we'll get back to you, usually within a day.